Ushbu maqolada zamonaviy o‘zbek she’riyati vakili Usmon Lusif ijodi tahlil etilib, uning san’at, tasavvuf va falsafiy tafakkur unsurlarini uyg‘unlashtirishga intilgani asosiy tadqiqot obyekti sifatida o‘rganiladi. Muallif o‘z she’rlarida tasavvufiy g‘oyalarni an’anaviy diniy doirada emas, balki badiiy-estetik ifoda vositasi sifatida talqin qiladi. She’riyatda poetik va so‘fiy obrazlar shaxsiy ichki kechinmalar, mavhum ruhiy holatlar orqali ifodalanadi. Bu jihatlar shoir dunyoqarashining ko‘p qatlamli va murakkab tabiatini ochib beradi. Tadqiqotda Lusif she’riyatining uch asosiy yo‘nalishda — badiiylik, tasavvufiy tafakkur va falsafiy mushohada asosida shakllangani aniqlanadi. Ushbu uchlik uyg‘unligi shoir ijodini mazmun va shakl jihatdan murakkab, ko‘p qirrali adabiy fenomen sifatida baholash imkonini beradi.
The research deals with a basic issue in Othman Lousif’s poetry. It blends art and Sufism, and this does not mean that he is a traditional Sufi poet, but aims behind the use of Sufism to an artistic dimension, as Sufism and poetry share certain characteristics that link them, such as the tendency to imagination and stay away from reality. He creates a private imperceptible world, where the poetic images meet the Sufi images in a great blend and almost total fusion, and the distance between the poet and the Sufi almost disappears.. Othman Lousif’s poems are attracted by two currents, the art stream and the mystic current, and he added to that another dimension, the philosophical dimension consisting of art, Sufism, and philosophy.
Ushbu maqolada zamonaviy o‘zbek she’riyati vakili Usmon Lusif ijodi tahlil etilib, uning san’at, tasavvuf va falsafiy tafakkur unsurlarini uyg‘unlashtirishga intilgani asosiy tadqiqot obyekti sifatida o‘rganiladi. Muallif o‘z she’rlarida tasavvufiy g‘oyalarni an’anaviy diniy doirada emas, balki badiiy-estetik ifoda vositasi sifatida talqin qiladi. She’riyatda poetik va so‘fiy obrazlar shaxsiy ichki kechinmalar, mavhum ruhiy holatlar orqali ifodalanadi. Bu jihatlar shoir dunyoqarashining ko‘p qatlamli va murakkab tabiatini ochib beradi. Tadqiqotda Lusif she’riyatining uch asosiy yo‘nalishda — badiiylik, tasavvufiy tafakkur va falsafiy mushohada asosida shakllangani aniqlanadi. Ushbu uchlik uyg‘unligi shoir ijodini mazmun va shakl jihatdan murakkab, ko‘p qirrali adabiy fenomen sifatida baholash imkonini beradi.
Исследование посвящено основной проблеме поэзии Османа Лусифа: он смешивает искусство и суфизм. И это не означает, что он является традиционным суфийским поэтом, но он нацелен на использование суфизма в художественном измерении, поскольку суфизм и поэзия разделяют определенные характеристики, которые их связывают, такие как склонность к воображению и отстраненность от реальности. Поэзия Османа Лусифа создает личный неуловимый мир, где поэтические образы пересекаются с суфийскими образами в великом сочетании и почти полном слиянии, и расстояние между поэтом и суфием почти исчезает. Стихи Османа Лусифа привлекают два течения, течение искусства и мистическое течение, и он добавил к этому еще одно измерение – философское измерение, состоящее из искусства, суфизма и философии.
№ | Muallifning F.I.Sh. | Lavozimi | Tashkilot nomi |
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1 | SADOUN D.. | Professor Arab tili tarjima nazariyasi va amaliyoti kafedrasi | O‘zbekiston Davlat Jahon tillari Universiteti |
№ | Havola nomi |
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1 | Ibn Arabi: Fusus Al-Hikam, commentary by Abu Al-Alaa Afifi, Dar Al-Kitab Al-Arabi, Beirut, ed., ed. |
2 | Amin Youssef Odeh: Manifestations of Sufi Poetry, A Reading of Principles and Maqamat, Arab Foundation for Studies and Publishing, Beirut, 1st edition, 2001. |
3 | Abdul Hamid Hima: Sufi discourse and mechanisms of interpretation, Prince Khaled House, Algeria, 2008. |
4 | Othman Hachlaf: Heritage and Renewal in Al-Sayyab’s Poetry, University Publications Office, Algeria, 1986. |
5 | Othman Loussif: The collection “And for Your Eyes This Overflow,” Dar Houma for Printing, Publishing and Distribution, Algeria, 1999. |
6 | Othman Loussif: Diwan Abjadiyat, Dar Houma for Printing, Publishing and Distribution, Algeria, 1997. |
7 | Othman Loussif: Collection of Weddings of Salt, National Book Foundation, Algeria, 1988. |
8 | Othman Lousif: Diwan Al-Iharhasat, Houma House for Printing, Publishing and Distribution, Algeria, 1997. |
9 | Othman Loussif: The Collection of Writing with Fire, Dar Al-Baath for Printing and Publishing, Constantine, Algeria, 1st edition, 1982 AD. |
10 | Othman Lousif: Diwan Al-Lulu’a, Dar Al-Baath for Printing and Publishing, Constantine, Algeria, 1st edition, 1997. |
11 | Othman Loussif: The collection The Rose Said, Dar Houma for Printing, Publishing and Distribution, Algeria, 2000. |
12 | Othman Loussif: Diwan Nimsh wa Hadeel, Dar Houma for Printing, Publishing, and Distribution, Algeria, 1994 AD. |
13 | Othman Loussif: The collection of Shabaq al-Yasmine, National Book Foundation, Algeria, 1986. |
14 | Othman Loussif: The collection The Rose Said, Dar Houma for Printing, Publishing and Distribution, Algeria, 2000. |
15 | Ali Ashry Zayed: Summoning Traditional Figures in Contemporary Arabic Poetry, General Company for Publishing and Distribution, Tripoli, Libya, 1st edition, 1987. |
16 | Al-Qushayri: Al-Qushayri’s Treatise on the Science of Sufism, Dar Al-Kutub Al-Ilmiyyah, Beirut, 2001. |
17 | Fosul Magazine, Volume 1, Issue 4, Egyptian General Book Authority, Cairo, 1981. |
18 | Muhammad Ali Kindi: On the Language of the Sufi Poem, New Book House, United, 1st edition, 2010. |
19 | Munir Khalil Al-Khatib: Sufi dimensions in the poetry of Adonis, Master’s thesis, Yarmouk University, Iraq, 2000. |
20 | Nahida Sattar: The narrative structure in Sufi stories, components and functions, a study published by the Arab Writers Union, Damascus, 2003. |